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Different generations of comic book and comic strip fans knew Al Williamson for different achievements. He was a stalwart of the days of EC Comics. He illustrated Secret Agent Corrigan in the newspapers, adapted The Empire Strikes Back for comic books, and drew a long run on the Star Wars newspaper strip. Modern readers knew him as an inker of some of the most popular titles.

Williamson was born in New York City in 1931, but spent his first 13 years primarily in Bogotá, Colombia. In 1941, his mother took him to see the science fantasy movie serial Flash Gordon Conquers the Universe, an experience which, combined with his love for comics storytelling, set his career course at an early age.

Williamson, who first and foremost considered himself a cartoonist, excelled at illustrative science fiction, adventure and western stories, pulling inspiration from both classic comic strips and motion pictures. He is highly regarded both popularly and critically for his excellent draftsmanship and dynamic storytelling. Most notably, Williamson was extraordinarily accomplished at rendering the human figure in motion. His classically proportioned characters twist and leap with a startlingly vivid illusion of movement in part evolved from his study of motion picture action choreography.

He began his professional career in 1948 and achieved popular recognition in the early 1950s as the youngest and one of the most talented contributors to the legendary EC line of comics. Beyond EC, Williamson drew superior work for many comic publishers, including American Comics Group, Atlas/Marvel, Charlton, Classics Illustrated, Dark Horse, Dell, Harvey, King, Prize, Toby and Warren. From 1967 until 1980 he produced the art for the King Features Syndicate’s daily Secret Agent Corrigan newspaper strip, and from 1981 to 1984 drew the daily and Sunday Star Wars newspaper strip.

Beginning in the 1980s Williamson reintroduced himself to a new generation of comics readers as an inker for DC and then Marvel Comics, enjoying memorable stints finishing the work of other artists on Superman, Daredevil and Spidergirl.

The single comics character, however, with whom Williamson is most identified would be Flash Gordon. The science fiction adventurer, created in 1932 by Alex Raymond for King Features, engaged the lifelong imagination of Williamson. He produced a much beloved series of stories for King Comics’ Flash Gordon comic book in the 1960s. He returned to the character in 1980, drawing a comics adaptation of the contemporary Flash Gordon motion picture. In the 1990s, he produced a Flash Gordon miniseries for Marvel Comics and later contributing to the original Sunday strip. In addition to the stories, he produced countless other Flash Gordon images for uses in advertising, merchandising and the fan press.

He gradually retired from the professional ranks in the early years of the new century as one of comics’ most admired and influential creators. Over his career he received numerous professional awards, including multiple Harvey and Eisner Awards and the National Cartoonists Society’s 1967 Award for Best Comic Book Cartoonist.